Painting Story

sepiaglaze

During the course of a painting there are many choices to make along the way, much like life. As Joni Mitchell says in her song ‘Blue’; “Songs are like tattoos, you know I’ve been to sea before.

A story, our story, the story of a painting. And then there is the question of ending. What is the best sort of finish? Have I said all I want to say? Save something for the next painting … perhaps.

sepiaglaze2

The story behind this painting is that it was not quite finished when I decided to use it as the signature piece for the show. I played around in photo-shop, and decided I liked the sepia tone for the poster.

At first I thought it would be fun to have the painting a bit different than the invite. But as time grew closer to the show, I decided to glaze it to match the digital version. This glaze took two coats to achieve the desired effect.

transmutation_sm

Although I was unsure of the repercussions at the time, I took a chance. And this turned out to be a good thing. As the sepia covered the entire painting, then a second coat, it seemed to exemplify the meaning of the painting.

It takes a very long time to get down the the inner essence of ourselves as a creator, so that what we emit is the most authentic pure version of our vision.

I feel a shift occurring in myself, which at first tells me my reasons for making art appear to have changed. However that may not be true. It may be a truer statement to say that my consciousness about making art has changed. Whatever the reason, I feel my art-making is melding with my soul’s purpose.

Painting Story was last modified: May 26th, 2017 by Deborah Robinson

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