Podmalyovok & Lessirovka
It looks as though the painting could have been already finished, looking at my previous post. Yet, I am trying to recreate the Flemish technique used by the old masters.
Each layer may resemble a finished painting. I am enjoying the changes that each stage presents. The process of creating the intermediate layers which is made up of two Burnt Umber layers, and consists of the shadow
PODMALYOVOK second layer where details are made, excluding texture.
LESSIROVKA, the second of the Umber layers the main tone masses are made with a large brush.
This layer was extremely difficult to photograph, but you get the idea.